Blah blah blah workshops teamwork ideas synergy. Boring. What is the value in creating new speculative literature when the world is already rife with it? Nothing is new; everything is just a reshuffle and evolution of old. I like crowdsourcing. I like making.

The only thing I found convincing, human, about the scenarios outlined in The Power of 8 was the youth-hackery of rain-filled clouds. Everything else seemed like the academic, utopian dreams of architects, artists, and someone who reads the news. Maybe a pedestrian future is your future — it sure isn’t mine.

So, how do individual identities not get affected by collaboration? Should they? Why must my future world be invaded by the worlds of others? And, from the website, why does technology need to be humanized?

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what would it take to make a movie of Bladerunner’s imaginative power, set in a positive future?” He paused for a second and said he thought it’d be very difficult, that catharsis is so important to people, and people are so terrified of the future, that you’d need some completely new vision of what the future will look like to even set the scene for a new narrative… and that is obviously no mean feat.

Is there such thing as a positive future? In cinema, futures usually are portrayed as dystopian, but they’re always filmed from the lens of the protagonist; a movie without an antagonist is boring. Real life without an antagonist is boring.

Utopia is a place that exists only in children’s movies and in religion. It doesn’t exist now and it hasn’t existed in the past, so it’s hard (if not impossible) to imagine it in the future. I don’t think we’re terrified of the future — I for one welcome our robot overlords — I think we’re unable to remove our minds from the past and present. Speculative design says it’s looking forward, but it’s really just looking around. Crowdsourced SD even more so. Very rarely does a piece truly move us beyond what we are now. And when it does happen, we’re too busy looking at the other stuff to notice.

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